*The inherently self-oriented approach to relationships in the 1990's, from breaking off with one woman whose hands were too man-like to losing another because her name had somehow been forgotten (both Jerry). *The minutiae of daily existence in Manhattan, from finding a parking space (George never wanted to give up a good one) to getting movie information over the phone (Kramer started handling that service personally). *The smallest details of life, from how to establish male friendships (Jerry's decision to help a guy move was a sign of total commitment) to how to dance (Elaine proved to be so awful no one could bear to watch). They routinely compared the show to television's best-remembered comedies.įor years, ''Seinfeld'' was called the comedy about nothing, but it was really about a lot of little things: The critics agreed that ''Seinfeld,'' a weekly comic opera of the absurd and the all-too-true, could hit these high notes of sheer hilarity just as well as the most celebrated shows in television history.Īt its best, critics said, ''Seinfeld'' was television's most imaginative and idiosyncratic comedy, offering the most endearing set of self-absorbed characters ever created. As they tried to pass a box of Junior Mints back and forth, resulting in one mint flying through the air and falling into the patient's open body cavity, the entire cabin of the plane began rocking so violently with laughter that it felt as though the wings were tipping from side to side. In the show, the character Jerry Seinfeld and his friend Kramer sat above an operating theater, watching a doctor perform stomach surgery. ![]() On a flight across the country on United Airlines a few years ago, the airline showed a new regular feature of its in-flight entertainment: an episode of ''Seinfeld.'' This one, ''The Junior Mint,'' was one of 22 produced for the previous television season.
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